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Nidhogg 2 Review: Gruesome mutant fencing simulator

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Nidhogg 2 is a game about moving from one side of the screen to the other. It’s also much, much more. It’s also about impeccable timing, leveraging momentum, reflexes and your ability to predict having a knife thrown at your head. With only two buttons to remember, Nidhogg 2 grabs the old cliche of ‘easy to learn, hard to master’ and jams it in your face.

When I first boot the game up, I’m bombarded with a pulsating soundtrack and eclectic visuals. I admit I paused for a second. Although I’ve never played the original Nidhogg, I have seen screenshots. Gone is the blocky minimalism, replaced instead by a claymation-style that I initially found off-putting but grew to love as I played through a few rounds.

In motion, there’s a lot going on. Both the character models and the stage backgrounds are horrible (in a good way), seeing you fight through a variety of gruesome stages and usually the innards of your previous self that still litter the ground. Melee kills are particularly brutal and leave a big stain as a reminder of where it all went wrong.

It all just clashes together in a way that I enjoy, low-pixel, technicolor gouts of blood juxtaposed with the fairly elegant way the game actually handles. The background animations keep things flowing but don’t detract and regardless, the combat demands your concentration so much so it’d take a nuclear bomb going off in your living room to distract.

Nidhogg 2 Multiplayer

As I jump into the single-player (which effectively acts as an extended DIY tutorial/testing ground), it’s not hard to see what makes Nidhogg 2 great, even if you are fighting terrible AI that switches between running onto your sword or kicking your ass all over the map. 

Matches start with two players on opposite sides of the arena. Depending on where you start, you’ll always be pushing to get to the opposite side of the screen. Your opponent? They’re trying to go the other way, effectively making them a roadblock. Respawn timers are low so killing the opponent is often just a way to get some breathing room and make it to the screen edge, bringing you to the next stage where it all begins again. 

This tug-of-war mechanic makes for some incredibly tense moments where you realise you’re on the final screen and you only need to get past your opponent one more time. More often than not, these moments devolve into standoffs as you desperately wonder whether you should go high or low.

What I love about Nidhogg 2 is that killing your opponent is always secondary to the main goal of reaching the side of the level. When you have the momentum, it’s not uncommon to simply ignore your opponent, simply slipping past them if the opportunity arises. There are no points for kills, just the unending desire to push on to the next stage.

That said, the combat is great. It manages to be both frantic yet measured, with four weapons that effectively act as a game of rock-paper-scissors-broadsword. One hit is still a kill and there are no hard counters per se, but different weapons have their own pros and cons (expanding on the original Nidhogg which only had the fencing sword).

The hand-to-hand melee is a little overpowered and can cause some frustration, especially when it revolves around being close to your opponent and spamming the attack button. There were moments when I found myself being curbstomped seemingly at random just by being close to an unarmed opponent.  

When you add in bottomless pits to traverse, the potential to disarm your opponent with a well-timed swing and the last-ditch option to launch your weapon at your opponent’s head, everything becomes much less predictable but rarely unfair.

Nidhogg 2 Worm

Where Nidhogg 2 truly shines is its multiplayer. While I’m assured the original Nidhogg was better suited for local play around the couch rather than online, the matches I played of Nidhogg 2 were excellent with virtually no lag.

Going up against another real-life human makes the game infinitely more fun. Fights become chaotic and the mind games are in full flow, usually devolving into foot chases and bare knuckle beatdowns when each player decides to hurl their weapons at each other upon respawning, clanging together harmlessly in the air.

My only disappointment with Nidhogg 2 is that there isn’t more to do. Once the initial rush of playing a new game wears off, I can’t help but feel that at its core it just needs something extra. It’d be nice to see a team game mode with 2 v 2 or 3 v 3 or even just a more fleshed out single-player.

As it stands, if you’re looking for a few rounds of frantic fencing action with some friends, Nidhogg 2 has charm and guts by the bucketload.

UK based gaming writer, raised on a diet of Street Fighter and Isometric RPG's. I enjoy playing every game I can get my grubby little hands on.

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Ubisoft says that future Assassin’s Creed games will need more time to be made

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As Assassin’s Creed Shadows is about to sneak up on people in November, Ubisoft says that the time between developing games needs to be longer to find the “right balance.” Shadows has been in development for four years, longer than any other game in the series up to this point. That includes the huge open-world epics Assassin’s Creed Odyssey and Assassin’s Creed Valhalla.

Shadows lead producer Karl Onnée (thanks, GamesIndustry.biz) says that the latest AC game took 25% longer to make than Valhalla. He says this is necessary to keep the quality of the series that it is known for: “It’s always a balance between time and costs, but the more time you have, the more you can iterate.” You can speed up a project by adding more people to it, but that doesn’t give you more time to make changes.

Onnée says this has as much to do with immersion and aesthetics as it does with fixing bugs and smoothing out pixels. This is because the development team needs time to learn about each new historical setting: “We are trying to make a game that is as real as possible.” We’re proud of it, and the process took a long time. In feudal Japan, building a house is very different from building a house in France or England in the Middle Ages. As an artist, you need to learn where to put things in a feudal Japanese home. For example, food might not belong there. Get all the information you need and learn it. That process takes a long time.”

You’ll have to wait a little longer for Ubisoft to work on each game. Are you okay with that? In what part of Shadows are you now? Is it interesting to you? Leave a comment below and let us know.

 

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You can now pre-order Lollipop Chainsaw RePOP on PS5

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You can now pre-order Lollipop Chainsaw RePOP, a remaster that Dragami Games and Capcom both created. You can now pre-order the PS5 game on the PS Store for $44.99 or £39.99. If you have PS Plus, you can get an extra 10% off the price.

The company put out a new trailer with about three minutes of gameplay to mark the start of the pre-order period. Lollipop Chainsaw RePOP is a remaster of Grasshopper Manufacture’s crazy action game from 2012. You play as Juliet, a high school student who fights off waves of zombies.

The remaster adds RePOP mode, an alternative mode that swaps out the blood and gore for fun visual effects. It also adds a bunch of other features and improvements that make the game better overall. You can expect the graphics and sound to be better as well.

The game will now come out on September 12, 2024, instead of September 12, 2024. Are you excited to get back to this? Please cheer us on in the section below.

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This Call of Duty: Black Ops 6 zombies trailer is way too expensive

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Is there really anyone who is following the story of Call of Duty’s zombie mode? We’ve known about the story in a vague way for a while, but we couldn’t tell you anything about it. It looks like the “Dark Aether” story will continue in Black Ops 6, but we don’t really know what that means.

For those of you who care, here is the official blurb with some background: “Requiem, led by the CIA, finally closed the last-dimensional portal, sending its inhabitants back to the nightmare world known as the Dark Aether, after two years of fighting zombie outbreaks around the world during the Call of Duty: Black Ops Cold War timeline.”

Wait, there’s more! “Agent Samantha Maxis gave her life to seal this weird dimension from the inside out.” Even worse things were to come: senior staff members of Requiem were arrested without a reason by the Project Director, who turned out to be Edward Richtofen.

Black Ops 6 will take place about five years later, and it looks like it will show more about Richtofen’s goals and motivations. The most important thing is that you will probably be shooting an unimaginable number of zombies in the head. This week, on August 8, there will be a full reveal of the gameplay, so keep an eye out for that.

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