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It’s no secret at this point that Mass Effect Andromeda had a rocky release. The reviews were mixed for reasons ranging from technical issues to clunky UI and it ultimately didn’t live up to the expectations set by the original trilogy. However, the game wasn’t irredeemable. Many fans still enjoyed the game for its fast-paced combat and pseudo open-world design. While the story and characters don’t quite seem to live up to the legacy of the first three games, they aren’t really bad by any stretch of the imagination. Ultimately, the game is an excellent reason to become immersed in the universe of Mass Effect again. Even with its flaws, it’s more than reasonable to say that Bioware could pull another Mass Effect 2 with the game’s sequel. All it really needs are a few tweaks.

Less is More

One of my personal issues with the way that Mass Effect Andromeda is designed is the way it throws menial tasks your way. While there are a few interesting quests on each planet, driving on the surface of any planet usually becomes a chore as you notice enemy camps, remnant ruins, and trivial fetch quests littered all over the world. These camps and the inconsequential quest lines feel as if they were added in an attempt to make traversing planets more interesting. Many complain that exploring planets in Mass Effect 1 was boring because there wasn’t much to do outside of a few key points of interest. I’d argue that Andromeda has the exact same issue, except it makes you think there is a lot of content by cluttering the map with markers. I would rather the next game in the series focus on adding more meaningful content to these planets and maybe tone down the size of them. I would rather have a smaller space to explore if it means that the space is used to tell meaningful and interesting stories.

Give us a Darth Vader 

One of the high points for the Mass Effect series was the Elusive Man from the second game. The character oozed mystery and he stole the spotlight as the game’s antagonist. Is the Elusive Man truly an ally? Or does he have his own motives? These questions haunted the player as they played through the game. I would love to see that same level of an antagonist in the next Mass Effect game. For the first several hours of Andromeda, the Kett are the game’s villains almost by necessity. Their motives are unknown to the player and while this could have been an attempt to make them mysterious, they come across as simple space bullies. From their dull visual design to their cliche motivation, the Kett aren’t exactly a gripping antagonist. Later in the game, they become more fleshed out and we get more information on their leader, the Archon. At this point, things get interesting, but that took me almost 50 hours of my playthrough to get to. Even if the average player does way fewer side quests than I did, it would probably still take 20-30 hours.

Intrigue and Mystery

One of the biggest disappointments in Andromeda was the way the game handles first contact. Within moments of meeting the Kett, shots are fired. No dialogue, no option for a peaceful exchange, nothing. Something similar could be said of the meeting with the Angara, but at least the game gives players a small taste of the politics associated with the first contact between species. One of the highlights of the original games was dealing with inter-species relationships. Did you spare the Rachni queen? Did you cure the genophage? Did you bring peace to the geth and quarians? These types of heavy political choices created a lot of weight to the choices in the first three games. The choices in Andromeda feel much less significant by comparison. Most Mass Effect fans fell in love with the game because the universe and its politics were engaging and interesting, and I’d love to see the next game focus on this again.

Discover More than Just Worlds

One of the easiest criticisms of Mass Effect Andromeda was that in a whole new galaxy, there are somehow only two races. Some of this can be explained by the game taking place in only a small cluster of Andromeda, and not the entire galaxy proper. Naturally, I want to see more of the galaxy in the next game. More than that, I want to meet new races. What made Mass Effect 1 so fascinating was meeting tons of weird new species for the first time. I would love to see more of that for the next game. It is revealed that the Kett have a larger empire and the Archon is only leading a small fringe group about halfway into the game. I would love to have to deal with the rest of the Kett empire on a political level in the next game, especially with the lingering hostilities between the Initiative and Kett. Give players a new galactic culture to become immersed in, not just a galaxy’s worth of empty planets to explore.

Andromeda was a game of highs and lows. Parts of it were dull and clunky. Other parts were shining examples of what makes Mass Effect games so revered. The ball is in Bioware’s court. If they can clean up the flaws and give players more of what Mass Effect fans want, they have a chance to rebound off of their rocky start.

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Ubisoft says that future Assassin’s Creed games will need more time to be made

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As Assassin’s Creed Shadows is about to sneak up on people in November, Ubisoft says that the time between developing games needs to be longer to find the “right balance.” Shadows has been in development for four years, longer than any other game in the series up to this point. That includes the huge open-world epics Assassin’s Creed Odyssey and Assassin’s Creed Valhalla.

Shadows lead producer Karl Onnée (thanks, GamesIndustry.biz) says that the latest AC game took 25% longer to make than Valhalla. He says this is necessary to keep the quality of the series that it is known for: “It’s always a balance between time and costs, but the more time you have, the more you can iterate.” You can speed up a project by adding more people to it, but that doesn’t give you more time to make changes.

Onnée says this has as much to do with immersion and aesthetics as it does with fixing bugs and smoothing out pixels. This is because the development team needs time to learn about each new historical setting: “We are trying to make a game that is as real as possible.” We’re proud of it, and the process took a long time. In feudal Japan, building a house is very different from building a house in France or England in the Middle Ages. As an artist, you need to learn where to put things in a feudal Japanese home. For example, food might not belong there. Get all the information you need and learn it. That process takes a long time.”

You’ll have to wait a little longer for Ubisoft to work on each game. Are you okay with that? In what part of Shadows are you now? Is it interesting to you? Leave a comment below and let us know.

 

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You can now pre-order Lollipop Chainsaw RePOP on PS5

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You can now pre-order Lollipop Chainsaw RePOP, a remaster that Dragami Games and Capcom both created. You can now pre-order the PS5 game on the PS Store for $44.99 or £39.99. If you have PS Plus, you can get an extra 10% off the price.

The company put out a new trailer with about three minutes of gameplay to mark the start of the pre-order period. Lollipop Chainsaw RePOP is a remaster of Grasshopper Manufacture’s crazy action game from 2012. You play as Juliet, a high school student who fights off waves of zombies.

The remaster adds RePOP mode, an alternative mode that swaps out the blood and gore for fun visual effects. It also adds a bunch of other features and improvements that make the game better overall. You can expect the graphics and sound to be better as well.

The game will now come out on September 12, 2024, instead of September 12, 2024. Are you excited to get back to this? Please cheer us on in the section below.

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This Call of Duty: Black Ops 6 zombies trailer is way too expensive

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Is there really anyone who is following the story of Call of Duty’s zombie mode? We’ve known about the story in a vague way for a while, but we couldn’t tell you anything about it. It looks like the “Dark Aether” story will continue in Black Ops 6, but we don’t really know what that means.

For those of you who care, here is the official blurb with some background: “Requiem, led by the CIA, finally closed the last-dimensional portal, sending its inhabitants back to the nightmare world known as the Dark Aether, after two years of fighting zombie outbreaks around the world during the Call of Duty: Black Ops Cold War timeline.”

Wait, there’s more! “Agent Samantha Maxis gave her life to seal this weird dimension from the inside out.” Even worse things were to come: senior staff members of Requiem were arrested without a reason by the Project Director, who turned out to be Edward Richtofen.

Black Ops 6 will take place about five years later, and it looks like it will show more about Richtofen’s goals and motivations. The most important thing is that you will probably be shooting an unimaginable number of zombies in the head. This week, on August 8, there will be a full reveal of the gameplay, so keep an eye out for that.

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