Movies & TV Shows
Game of Thrones Season 7 Finale Running Time & Title Revealed
The seventh and final episode of the seventh season of Game of Thrones now has a confirmed title and length, as announced by HBO. “The Dragon and the Wolf” will air this Sunday and will run for 79 minutes and 43 seconds, the longest in the history of the show. It edges out last week’s “Beyond the Wall” (the longest to air so far) by nine minutes.
The title reveals a lot, and supplementing this with the recently released preview, viewers can expect the episode to be a big one. Most of the major players have gathered in Highgarden, where we’ll finally see a confrontation between Houses Lannister, Stark, and Targaryen, the last three surviving major houses. As the title suggests, Daenerys and Jon are on the same page and are seemingly uniting against Cersei. Expect the discussion to mostly be Jon attempting to convince Cersei to put the war on hold and join them in fighting the Night King. As Jon says in the trailer: “There’s only one war that matters. And it’s here.” The war between life and death is upon them, and all of Westeros will need to fight against it.
Interestingly, while most of the big names in the show are in one place (all except for Sansa, who’s still in control of Winterfell), Daenerys is nowhere to be seen in the trailer. Jon enters with Davos, Brienne, Theon, Podrick, Jorah, Tyrion, and Dothraki Bloodriders at his flank, but Daenerys is not with them. Perhaps she is to make an entrance, or perhaps Tyrion and Jon manage to convince her to stay back, to both prevent her from getting killed or captured. This would be an interesting turn, as Cersei’s only real card left is her being able to get under Daenerys’ skin, as she has recently shown to be easily angered and hot-tempered. It’s doubtful that Daenerys and Cersei won’t confront each other at some point, but it is interesting to not see her in the trailer.
This showdown before the war takes place this Sunday at 9 on HBO.
Generally, The Marvels is good. It has a 59 on Rotten Tomatoes, which isn’t great, but it’s better than Ant-Man and The Wasp: Quantumania and Disney+’s Secret Invasion. Perhaps director Nia DaCosta’s video game inspirations contributed to that.
The American filmmaker said Square Enix’s Final Fantasy VII: Advent Children influenced her latest film at a press junket with IGN. “It’s just an amazing movie, with great fight scenes and a great ending sequence with the main character being thrown into the sky by all the other characters,” she said.
Despite poor reviews upon release in 2005, Advent Children has become a Final Fantasy cult classic. DaCosta seems to agree that the film is a classic. PlayStation exclusives also influenced the Marvels.
In the interview, she said she didn’t want the superhero film to look “too much like a video game” but did draw from Sony’s biggest franchises, like The Last of Us and Horizon Zero Dawn. “For me, it was from the best games, the best stories that you get, that sort of inspires me to play, and I think inspires people to watch movies like this,” she said.
Since movies have shaped video games since their inception, it’s interesting to see the dynamic slowly changing. Now that technology and interactive storytelling are more complex, filmmakers are looking to PlayStation for inspiration.
Netflix reported third-quarter earnings and is doing well. Revenue increased as the company added 9 million subscribers worldwide.
Netflix is also using this opportunity to raise the prices of some of its U.S., U.K., and French plans to differentiate ad-free plans from its entry-level ad-supported plan. New subscribers to the most expensive plan will pay $22.99 per month.
Let’s step back and examine Netflix’s current situation. Netflix cracked down on password sharing in its home market and dozens of others in May. The third quarter is the first full quarter under the new rules, so we can see the effect of password sharing.
The company removed the basic tier in the U.S. and U.K. two months ago to simplify its offering. People must pay a lot to remove Netflix ads.
Reports suggest that many customers are experiencing subscription fatigue and considering canceling some streaming subscriptions, but Netflix still has room for growth, especially with advertising revenue.
The company has 247.15 million subscribers. The number of subscribers increased 8.76 million this quarter. Netflix subscribers haven’t grown that much since Q2 2020, when Covid lockdowns were enforced worldwide.
Netflix earned $3.73 per share on $8.5 billion in revenue this quarter. As ads plan subscribers rise almost 70% quarter-over-quarter, ads are contributing more to the bottom line. Nearly a third of new subscribers use ads.
Netflix shares are up 13.75% pre-market ($393.79 per share) on good news for shareholders. However, subscribers will be unhappy because the company will raise prices for some plans again in three key markets. Full breakdown here.
In the U.S.:
- Standard with ads: $6.99 per month (no change)
- Basic (no longer available): $11.99 per month (up from $9.99)
- Standard: $15.49 per month (no change)
- Premium (with 4K streaming): $22.99 per month (up from $19.99)
In the U.K.:
- Standard with ads: £4.99 per month (no change)
- Basic (no longer available): £7.99 per month (up from £6.99)
- Standard: £10.99 per month (no change)
- Premium (with 4K streaming): £17.99 per month (up from £15.99)
In France:
- Standard with ads: €5.99 per month (no change)
- Basic (still available in France for now): €10.99 per month (up from €8.99)
- Standard: €13.49 per month (no change)
- Premium (with 4K streaming): €19.99 per month (up from €17.99)
New subscriptions start at these prices today. Bills for existing subscribers will rise in the coming weeks.
When your writer—one of Hollywood’s hottest—tries to hide their involvement, it’s a bad sign. The Borderlands film’s original script was written by Craig Mazin (The Last of Us, Chernobyl), who recently asked the WGA to use the pseudonym “Joe Crombie” instead of his name.
We hope this means Mazin considers Joe Abercrombie, Lord Grimdark, the grittiness GOAT, but that theory is unproven. Since Mazin wrote the script in 2015 for Eli Roth to direct, a steady stream of writers has been brought in. Aaron Berg, Chris Bremner, Sam Levinson, Zak Olkewicz, Tony Rettenmaier, Juel Taylor, and Oren Uziel have put around 70 fingers in the honey pot.
The name change likely avoids confusion. Mazin probably doesn’t want to be blamed for Jack Black/Claptrap madness, but he wants to keep his rights.
To clarify, the Borderlands film finished filming in 2021, but Roth was replaced by Tim Miller (Deadpool) in January.
When this surprising star-studded film (Kevin Hart, Jamie Lee Curtis, Cate Blanchet) limps out, what are your expectations? We think this was supposed to coincide with Borderlands 3’s 2019 release, but it’s overshot the mark.
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