Geek Culture
Netflix’s GLOW Bodyslams The Audience
Every decade seems to become caricatured as time goes by. However, the 80s seem to be immune to this. A decade defined by sex, drugs, and rock and roll, the 80s have always seemed like a caricature anyways. It seems that every stereotype that exists today comes from the 80s. A time of going as far as possible in the time-frame it existed in. One great example of that, was the Gorgeous Ladies of Wrestling. Better known as GLOW. Filled with women whose hopes to become actresses faded, this ragtag group of ladies started something huge. (Sort of.) Although GLOW’s original run only lasted four seasons, its impact can be felt today. Even today, women professional wrestlers feel as if they are trying to prove they can do what the men do.
Looking back at the original’s pilot, GLOW didn’t have a whole lot going for it. The women acted about as well as they could wrestle as well. In other words, they were as convincing as I was in my elementary school play. That being said you can tell that they were all in from the get-go. These were women who saw the last chance to follow their dreams. The knew they’d hit rock bottom, and this was their last chance. So they were going to leave it all on the stage. Or, rather, in the ring. Even though the show never produced a five-star match, didn’t take the world by storm, and only a handful actually continued wrestling after this, what these women did mattered. (And to be fair, one of the WWE’s mainstays for the early 2000s, Ivory got her start with GLOW!)
GLOW: Netflix’s Sleeper Hit
But why am I telling you all of this? Because as I was perusing Netflix, I found the show that told the story of GLOW. The same people that made Orange is the New Black were behind this series. And I’m happy to say that everything that has made OITNB a smash hit is on display here as well. I meant to watch one or two episodes and see if I liked it. What wound up happening was me binging it over the course of two days, and passing out on top of several pizza boxes. I’m pretty sure in my dream I imagined I was dressed in drag wrestling in GLOW. Although that might have simply been induced by my overdose on pizza and garlic knots.
GLOW is a Total Knockout
I’ll be the first to admit, I’m biased when it comes to wrestling related media. I just got done going to see an episode of WWE Smackdown, watch almost every single pay-per-view, unironically wear t-shirts with Macho Man Randy Savage on it. And yes, I do in fact think wrestling is real. Not in the competitive sense, but in the sense that wrestling matters the same way that theater matters. Or that any kind of media matters. So long as somebody wants to watch it, it matters and has a real impact.
All that being said, GLOW manages to be both a wrestling show, and a hilarious dramedy. Featuring an ensemble cast and stellar writing, every scene manages to pack a punch. And just like any good wrestling promotion, people will have their favorites, but every character has a chance to shine and show their personality. In fact, they all have a chance to glow. (Not sorry for that pun.)
The show is a great example, about what the American Spirit is. People seem to be tired of the idea of picking yourself up by the bootstraps and doing whatever it takes. They believe it can’t be done. But that’s what makes this show so endearing. Behind the swearing, cocaine, and raunchiness, the show can feel almost wholesome at times. They’re just a bunch of people who are trying to make something work despite all the shit happening. Something that nobody expects to work, and nobody respects. But as time goes on you really do learn to respect them, as hard-working, kick-ass women. The show’s ability to showcase the 80s craziness in an ironic and unironic sense is fantastic. The original GLOW felt like a guilty pleasure, this simply feels like an amazing TV show.
Not all that Glitters is Gold
That all being said, it’s not all sunshine and daisies. The show gets off to an admittedly slow start, and seems to really revel at times in it’s 80s setting. I’m not saying this is a bad thing, but if you’re someone who needs to be grabbed in the first 10 to 15 minutes, you’ll probably pass on this show. And this might be a little bit too nitpicky, but the actresses really don’t know how to wrestle. And it’s funny, because when you see actual female professional wrestlers have a cameo it becomes really obvious. They’ll bust out a half-assed suplex, and the other girls can’t even do it right when they’re supposed to. But then again, GLOW’s wrestling ability wasn’t it’s main attraction. So maybe I’m just too much of a wrestling mark.
Bottom Line
What made the original GLOW special wasn’t the wrestling, it was what it was trying to do. And what it succeeded to do in a lot of ways. Making a fun show that proved women could do what men could do. Even if that was loading up on baby oil and beating the shit out of each other. So if you’re looking for a show that doesn’t take itself too seriously, has fantastic writing, and women who are ready to kick some ass, check out this show.
Gaming
Ubisoft says that future Assassin’s Creed games will need more time to be made
As Assassin’s Creed Shadows is about to sneak up on people in November, Ubisoft says that the time between developing games needs to be longer to find the “right balance.” Shadows has been in development for four years, longer than any other game in the series up to this point. That includes the huge open-world epics Assassin’s Creed Odyssey and Assassin’s Creed Valhalla.
Shadows lead producer Karl Onnée (thanks, GamesIndustry.biz) says that the latest AC game took 25% longer to make than Valhalla. He says this is necessary to keep the quality of the series that it is known for: “It’s always a balance between time and costs, but the more time you have, the more you can iterate.” You can speed up a project by adding more people to it, but that doesn’t give you more time to make changes.
Onnée says this has as much to do with immersion and aesthetics as it does with fixing bugs and smoothing out pixels. This is because the development team needs time to learn about each new historical setting: “We are trying to make a game that is as real as possible.” We’re proud of it, and the process took a long time. In feudal Japan, building a house is very different from building a house in France or England in the Middle Ages. As an artist, you need to learn where to put things in a feudal Japanese home. For example, food might not belong there. Get all the information you need and learn it. That process takes a long time.”
You’ll have to wait a little longer for Ubisoft to work on each game. Are you okay with that? In what part of Shadows are you now? Is it interesting to you? Leave a comment below and let us know.
Gaming
You can now pre-order Lollipop Chainsaw RePOP on PS5
You can now pre-order Lollipop Chainsaw RePOP, a remaster that Dragami Games and Capcom both created. You can now pre-order the PS5 game on the PS Store for $44.99 or £39.99. If you have PS Plus, you can get an extra 10% off the price.
The company put out a new trailer with about three minutes of gameplay to mark the start of the pre-order period. Lollipop Chainsaw RePOP is a remaster of Grasshopper Manufacture’s crazy action game from 2012. You play as Juliet, a high school student who fights off waves of zombies.
The remaster adds RePOP mode, an alternative mode that swaps out the blood and gore for fun visual effects. It also adds a bunch of other features and improvements that make the game better overall. You can expect the graphics and sound to be better as well.
The game will now come out on September 12, 2024, instead of September 12, 2024. Are you excited to get back to this? Please cheer us on in the section below.
Gaming
This Call of Duty: Black Ops 6 zombies trailer is way too expensive
Is there really anyone who is following the story of Call of Duty’s zombie mode? We’ve known about the story in a vague way for a while, but we couldn’t tell you anything about it. It looks like the “Dark Aether” story will continue in Black Ops 6, but we don’t really know what that means.
For those of you who care, here is the official blurb with some background: “Requiem, led by the CIA, finally closed the last-dimensional portal, sending its inhabitants back to the nightmare world known as the Dark Aether, after two years of fighting zombie outbreaks around the world during the Call of Duty: Black Ops Cold War timeline.”
Wait, there’s more! “Agent Samantha Maxis gave her life to seal this weird dimension from the inside out.” Even worse things were to come: senior staff members of Requiem were arrested without a reason by the Project Director, who turned out to be Edward Richtofen.
Black Ops 6 will take place about five years later, and it looks like it will show more about Richtofen’s goals and motivations. The most important thing is that you will probably be shooting an unimaginable number of zombies in the head. This week, on August 8, there will be a full reveal of the gameplay, so keep an eye out for that.
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