Movies & TV Shows
Black Panther Trailer, Poster, and Movie Details Breakdown and Analysis
Recently we received the very first promotional image of the upcoming Black Panther movie by Marvel Studios. Lead actor Chadwick Boseman tweeted out the poster saying “Thankful… #TChalla #BlackPanther. [And tune into game 4 of the #NBAFinals tonight.]”
There’s really not much to say about the poster besides that fans online aren’t very pleased with it, saying it looks very poorly photoshopped. The trailer is a different story, however and there are plenty of details to go through.
*Breakdown of Trailer Below. Contains Mild SPOILERS from Previous Marvel Cinematic Universe Films*
The trailer opens up with a shot of Andy Serkis’ character, Ulysses Klaue chained to a chair. Fans will no doubt recognize him from his brief appearance in 2015’s Avengers: Age of Ultron. He is also missing his left arm, which he lost when he angered the titular Ultron by comparing him to Iron Man in the same film. Andy Serkis is well known for his roles as motion capture characters, like The Lord of the Rings’ Gollum and the new Planet of the Apes’ Caesar.
He is being interrogated by Martin Freeman’s character, Everett Ross, who fans will also remember from last year’s Captain America: Civil War. Being questioned about Wakanda, Black Panther’s fictional homeland, Klaue reveals he’s been there and back and that it is a hidden nation in Africa that was once falsely known by outsiders as El Dorado. Ross reveals that the country is known as a third-world nation to the rest of the world, but Klaue reveals it is a technological wonder of a land.
The trailer continues with a group of what appears to be soldiers or mercenaries being attacked by the Black Panther, presumably looking for Wakanda. The scene moves to Klaue laughing like a madman and a line revealing he can see Chadwick Boseman’s T’Challa and Danai Gurira’s Okoye watching from behind the glass. T’Challa was introduced in Civil War along with Ross, however Okoye is an entirely new character played by an actress well-known for her role as Michonne on The Walking Dead.
We get our first real glimpse of Wakanda after the Marvel Studios logo and it is very futuristic, although the shot of what I’m assuming is T’Challa’s ship flying through greatly adds to that vibe. There’s a brief shot of Forest Whitaker’s character who, as of right now, hasn’t been given a name. He has markings all over his face and has an other-worldly outfit making him look a lot like an extra for his last big film Rogue One: A Star Wars Story, where he played Saw Gerrera.
The very next shot is of a man wearing a mask that looks a lot like the Marvel Comics character W’Kabi, who is confirmed to be played by Daniel Kaluuya in this film. Moviegoers might recognize him as the lead character Chris Washington of earlier this year’s Get Out. That is followed by our first glimpse of Lupita Nyong’o’s character, Nakia walking through a casino wearing a dress. Moviegoers will also recognize her as Nakku Harriet from last year’s Queen of Katwe although her voice talent is probably more recognizable as Maz Kanata from Star Wars: The Force Awakens and as Raksha from last year’s The Jungle Book.
There’s a brief shot of Danai Gurira showing off her action skills, T’Challa approaching a group of warriors appearing to surrender, and Klaue wearing a disguise and pulling out a silenced pistol. There’s a flurry of shots as it goes on with T’Challa at the United Nations and Michael B. Jordan’s character, Erik Killmonger, being escorted in as a prisoner. Jordan is well known for playing Adonis Johnson, the lead of 2015’s Creed and as the most recent live-action interpretation of Jonny Storm from 2015’s Fantastic Four. Jordan is now the second actor to go from Human Torch to MCU character with Chris Evans becoming Captain America after his go at it.
There are a lot of further quick shots of action throughout with some highlights being Killmonger vs. T’Challa, Okoye getting surrounded, and Black Panther slamming an SUV with some futuristic gauntlets. The gauntlets lead to the money shot of the trailer where Black Panther slow-mo flips onto the car in front of him looking like the badass he is.
As can be noted in what I wrote, there are a lot of heavy hitter actors and actresses in this film. There is no doubt an entertaining story with well-acted characters and intriguing expansions of the MCU’s lore to come with this film.
Black Panther is currently set to release smack dab in the middle of Black History Month, February 16th, 2018.
Orlando Bloom and David Harbour Share the Gran Turismo movie’s first trailer
Well, this movie has certainly come together quickly, just like the automobiles the franchise is centered around. In truth, Gran Turismo adaptation directed by Neil Blomkamp has already wrapped up filming and is in post-production ahead of its global theatrical release on August 11, 2023. Do you want to see a brief teaser? To view the trailer, click above.
Orlando Bloom and David Harbour provide some comments in this 60-second clip, which also includes a few brief film snippets. In essence, this is based on the real-life experiences of Jann Mardenborough, who won the 2011 GT Academy competition and later found success as a racing car driver.
In the few photos that were displayed, the cinematography seemed amazing, therefore it is obvious that this would look stunning on a large screen. During Sony’s CES press conference, Blomkamp briefly discussed how he is employing the company’s cutting-edge cameras to not only get stunning close-ups from within the car’s cockpit but also to imitate some of the game’s angles, as shown in the trailer.
“An imposing, spectacular, supersized movie,” according to the review of Avatar: The Way of Water
James Cameron was king of the bigger, better, and more contentious sequel blockbuster before he was crowned King of the World. Avatar: The Way of Water comes near enough to retain that reputation, even if his eagerly anticipated return to Pandora can’t rival Aliens or T2 for targeted tanker-weight efficiency. And it certainly knocks the flying fish off of Piranha II.
Will it become a $2 billion club member as Cameron suggests it must? We’ll see, but it’s undeniably flawed yet full of flavor (to paraphrase Guillermo del Toro(opens in new tab)). “MOVIE-MOVIE” is a sometimes strange, always magnificent sensory hit with a thematic thrust that is pleasingly genuine with an undercurrent of soft feeling. Untangling some of the story lines might require numerous viewings and three more movies. But Cameron is the best person to make the case for going to the movies again and again.
Cameron doesn’t spend much time setting the scene because the majority of people have already been to Pandora. The first scene quickly parachutes into Pandora’s rainforest, where Jake Sully (Sam Worthington) and Neytiri (Zoe Saldana), who have turned completely Na’vi, are now raising their growing family. They have three biological children: Tuktirey, Neteyam (Jamie Flatters), and Lo’ak (Trinity Bliss). Then there are the adoptees: Spider (Jack Champion), a feral human orphan orphaned by war, and Kiri (Sigourney Weaver), a type of offspring of Grace’s avatar (from the original Avatar).
Jake feels that defending his family gives him meaning. The Sully family seeks safety among Pandora’s sea clans when the evil Colonel Quaritch (Stephen Lang) reappears in (completely explained) “Recombinant” avatar form seeking “payback” for his demise. Jake hovers firmly over his tearaway brood in this instance. But how long can they evade Quaritch’s new blue marines? And isn’t knowing how to manage risk an important learning curve?
While Cameron’s bare-bones setup showcases his pulp punch as a writer, it also demonstrates his astounding skill as a world-builder. This time, Cameron doesn’t give much opportunity to pause and take in Pandora’s plant life. The lush jungle suddenly seems inhabited and alive. However, the RDA (Resources Development Administration) has grander plans for Pandora, even though life on Earth is hardly sustainable at this point. Their base of operations is a small metropolis with cutting-edge technology like robotic spider “swarm assemblers” that can create structures in a matter of days. Cameron makes sure you can sense the destruction left behind when humanity arrive on Pandora.
The Way of Water definitely has the WOW factor in terms of CG. Thirteen years later, Avatar’s spectacle-cinema upgrade has been surpassed. Hair and skin gleam; flames and dust particles transfix. The great revelation this time is the reef, which is home to the Metkayina clan, just as Avatar took time to introduce viewers to Pandora’s funky wonderland. The aquatic realm is vivid, sensual, and tranquil. The sense of weightlessness immersed in the waves reveals a new, sensitive grace in Cameron’s direction as the 3D visuals shimmer in time with Simon Franglen’s ringing score. He instills respect for the ocean in addition to entranced love because the waves are both seductive and hazardous. And the sensation of anguish is overwhelming when their residents are mistreated.
Cameron expertly balances thematic, narrative, emotional, and character strands while dazzles your eyes. Jake’s instinctive need to save his children creates danger as a thematic pattern; from the opening monologue on, Cameron treats the theme like a dorsal fin to cling to through stormy story waters. This is somewhat reminiscent of Finding Nemo.
Casting-wise, Saldana and Kate Winslet (as Ronal, the co-leader of the Metkayina tribe) are a little too much in the background, but Worthington shines as the former Na’vi trainee turned training-on-the-job father. Weaver bridges the age gap between actor and character by touchingly projecting Kiri’s feelings of exclusion and sulky eye-rolls through the mo-cap. Dalton, one of the fantastic young actors, gives bonding scenes with the whale-like Tulkun heart when they otherwise may have seemed a bit Free Willy. Additionally, Champion dispatches the Newt-like Spider, whose subplot expands on Cameron’s family-related ideas.
Although it’s unfortunate that his toxic spiel (“science pukes,” etc.) sounds familiar, the returning Lang adds explosive wrath. Cameron doesn’t spend any time brushing up on Avatar, but he occasionally uses well-known beats. The Sully clan’s water-training reworks Jake’s previous Na’vi training, while marine animals like the “ilus” are reimaginings of the “ikrans” from Avatar. When a character moans, “Can’t believe I’m tied up again,” you wonder if a little editing could have been advised. Cameron even repeats himself a little bit within the movie.
Another minor issue with the plot’s stop-start nature is how some characters’ difficulties seem to go away for long lengths of time. Cameron, though, harnesses prior career highs into a blast of full-bore, high-stakes extravaganza at the film’s climactic point to remind you who’s in charge. The Abyss’ strange wonder, Aliens’ kid danger, Titanic’s aquatic horror show, and T2’s technology are all there and have been enhanced for tension, action, and emotion. Some loose tale threads leave more questions than answers when the fire is out. However, there are three scheduled follow-ups. Even after three hours and more, Cameron’s return leaves you wanting more.
Here is the second advertisement for The Last of Us on HBO
A brand-new trailer for HBO’s live-action take on The Last of Us from PlayStation has just been released.
The program, which will debut on HBO Max on January 15, 2023, and on Sky in the UK the following day, will star Pedro Pascal and Bella Ramsey as its main characters.
The Last of Us is the first TV show produced by PlayStation Productions, a division of Sony Interactive Entertainment created to create film and television adaptations of its own game franchises.
The first game’s events will be covered, and there may even be The Last of Us Part 2-related material, according to Craig Mazin, the creator of Chernobyl, and Neil Druckmann, vice president of Naughty Dog.
The show’s main protagonists, Joel and Ellie, will be portrayed by Pedro Pascal and Bella Ramsey. Sarah, Joel’s daughter, is portrayed by Thandie Newton’s daughter Nico Parker (Dumbo), while Tommy, Joel’s brother, is portrayed by Gabriel Luna (Agents of Shield).
The Last of Us’ debut trailer was released by HBO in September.
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