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Doctor Who has been around in one form or another since 1963. As a science-fiction series about a time-traveling alien and his blue police box that is bigger on the inside, one would expect the franchise to be swarming with creative and iconic alien races. Like many great sci-fi franchises, a lot of effort and detail tends to go into these creatures’ design, history, and motivations. Sadly, the newest alien menace in the show, The Monks, fails on all counts.

The latest three episodes of the current season have revolved around The Monks, a race of humanoid corpses who want to rule the world — insert an M. Bison “Of course!” meme here. The Monks’ first episode, “Extremis,” is compelling due to the plot twist in which the characters and world in the episode are nothing more than computer simulations, which drives home how powerful The Monks are. The second episode, “The Pyramid at the End of the World,” is where things began to fall apart. The audience is left with many questions. Why do The Monks pilot a pyramid?  Is it actually space ship disguised as a pyramid, not unlike how The Doctor’s T.A.R.D.I.S. is a time/space ship disguised as a blue police box?  What do The Monks actually look like?  Well, the pyramid is just a pyramid, and we are given a veritable non-answer for why they look like rotting corpses. At least The Monks’ mentality of “we can only rule the world if you ask us to save it first” is novel, but all of my goodwill disappeared faster than a Weeping Angel’s victim in the final episode, “The Lie of the Land.” That episode quickly establishes that The Monks rule the world by brainwashing humans to believe The Monks have been humanity’s benevolent protectors since before humans evolved. In other words, The Monks rule through a fascist government that relies on alternative facts, alternative history, and fake news. And no, that’s not my own personal examination: The Doctor flat out states this in the episode. Never have I seen a more blatant and hyperbolic mocking of Donald Trump since Agents of S.H.I.E.L.D.’s “Agents of HYDRA” arc.

The Monks are nothing but an unsubtle mockery of Donald Trump and his supporters. There is no substance to these creatures — The Monks (not Trump supporters). Audiences aren’t given any explanation for anything about The Monks. Why they look like corpses, why they fly a pyramid, why they shoot lightning from their hands — none of it is ever explained. Sometimes a lack of explanation can work (The Beast from the episodes “The Impossible Planet” and “The Satan Pit” is a good example), but not so with The Monks, especially since their motivations are never explained. They want to rule the world. Ok, but why? The episode never touches on this crucial point. Think about the first Doctor Who alien/villain that pops into your head. What is its motivations? Odds are you can link motivations to most creatures seen in Doctor Who. Daleks? They want to kill humans because they view all non-Dalek life as a threat. Cybermen? They believe organic life is inferior and that forcibly assimilating humans does them a favor. Weeping Angels? Everyone needs to eat, and that includes eldritch statues. The Monks? Um…because they control a bunch of other worlds? But then why do The Monks control those worlds in the first place? This lack of any true motivation reveals The Monks as little more than an excuse to place someone’s political message in the show.

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Now, don’t get me wrong; I don’t hate The Monks because they’re a political message but because they’re an unsubtle political message. Doctor Who has provided nuanced political messages in the past. The two-parter, “The Zygon Invasion/Inversion,” is an example of a well-done, or at least decent, political message. To quickly sum up, these episodes are a follow-up to “The Day of the Doctor,” wherein numerous Zygons (shapeshifting anthropomorphized octopus tentacles who entered Doctor Who canon in 1975) are left to live on Earth. In “The Zygon Invasion/Inversion,” most of these Zygons want to live peacefully on Earth, but a radicalized few decide to supplant humanity as the dominant species. These radicals forcefully recruit peaceful Zygons by turning humans against them and espousing an “us vs. them” mentality. I had to re-watch the episode twice to determine that the episodes were a message about the Muslim population in the UK. Much like the Zygons, most Muslims want to live peacefully side-by-side with other people, but a few Zygons/Muslims don’t want to give peace a chance and intentionally sabotage relationships so they can recruit others to their cause. These radical Zygons/Muslims do this by tricking non-Zygons/Muslims into believing that all Zygons/Muslims are untrustworthy and bloodthirsty monsters. What really dives the point of the episodes home is that Muslims look like the general population, much like how the shape-shifting Zygons can look like anyone. There is nothing subtle about The Monks, however, especially since The Doctor spells out their campaign of fake news for the audience. Finally, messages against racism are far more timeless (pardon the pun) than messages against Donald Trump.

I would not be surprised if The Monks aren’t the least effective villains in Doctor Who. However, they’re still nothing more than a barely-disguised political message and a reflection on the opinion of Trump in much of the population of the UK, or at the very least the opinion of the guy who wrote The Monks’ final episode.

All you have to do to get my attention is talk about video games, technology, anime, and/or Dungeons & Dragons - also people in spandex fighting rubber suited monsters.

Gaming

Ubisoft says that future Assassin’s Creed games will need more time to be made

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As Assassin’s Creed Shadows is about to sneak up on people in November, Ubisoft says that the time between developing games needs to be longer to find the “right balance.” Shadows has been in development for four years, longer than any other game in the series up to this point. That includes the huge open-world epics Assassin’s Creed Odyssey and Assassin’s Creed Valhalla.

Shadows lead producer Karl Onnée (thanks, GamesIndustry.biz) says that the latest AC game took 25% longer to make than Valhalla. He says this is necessary to keep the quality of the series that it is known for: “It’s always a balance between time and costs, but the more time you have, the more you can iterate.” You can speed up a project by adding more people to it, but that doesn’t give you more time to make changes.

Onnée says this has as much to do with immersion and aesthetics as it does with fixing bugs and smoothing out pixels. This is because the development team needs time to learn about each new historical setting: “We are trying to make a game that is as real as possible.” We’re proud of it, and the process took a long time. In feudal Japan, building a house is very different from building a house in France or England in the Middle Ages. As an artist, you need to learn where to put things in a feudal Japanese home. For example, food might not belong there. Get all the information you need and learn it. That process takes a long time.”

You’ll have to wait a little longer for Ubisoft to work on each game. Are you okay with that? In what part of Shadows are you now? Is it interesting to you? Leave a comment below and let us know.

 

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Gaming

You can now pre-order Lollipop Chainsaw RePOP on PS5

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You can now pre-order Lollipop Chainsaw RePOP, a remaster that Dragami Games and Capcom both created. You can now pre-order the PS5 game on the PS Store for $44.99 or £39.99. If you have PS Plus, you can get an extra 10% off the price.

The company put out a new trailer with about three minutes of gameplay to mark the start of the pre-order period. Lollipop Chainsaw RePOP is a remaster of Grasshopper Manufacture’s crazy action game from 2012. You play as Juliet, a high school student who fights off waves of zombies.

The remaster adds RePOP mode, an alternative mode that swaps out the blood and gore for fun visual effects. It also adds a bunch of other features and improvements that make the game better overall. You can expect the graphics and sound to be better as well.

The game will now come out on September 12, 2024, instead of September 12, 2024. Are you excited to get back to this? Please cheer us on in the section below.

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Gaming

This Call of Duty: Black Ops 6 zombies trailer is way too expensive

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Is there really anyone who is following the story of Call of Duty’s zombie mode? We’ve known about the story in a vague way for a while, but we couldn’t tell you anything about it. It looks like the “Dark Aether” story will continue in Black Ops 6, but we don’t really know what that means.

For those of you who care, here is the official blurb with some background: “Requiem, led by the CIA, finally closed the last-dimensional portal, sending its inhabitants back to the nightmare world known as the Dark Aether, after two years of fighting zombie outbreaks around the world during the Call of Duty: Black Ops Cold War timeline.”

Wait, there’s more! “Agent Samantha Maxis gave her life to seal this weird dimension from the inside out.” Even worse things were to come: senior staff members of Requiem were arrested without a reason by the Project Director, who turned out to be Edward Richtofen.

Black Ops 6 will take place about five years later, and it looks like it will show more about Richtofen’s goals and motivations. The most important thing is that you will probably be shooting an unimaginable number of zombies in the head. This week, on August 8, there will be a full reveal of the gameplay, so keep an eye out for that.

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