Indiana Jones first burst into movie theaters in 1981. This first outing saw Harrison Ford take on the role of Indiana Jones. Raiders of the Lost Ark also saw the return of the Ford and Lucas pairing. This duo had previously worked together on American Graffiti and Star Wars, A formula which proved very successful, with the film going on to win 4 Oscars at the 1982 Ceremony. You don’t need much better advertising than that! Archaeologists might not have the best reputation, and you wouldn’t have been alone in wondering what Lucasfilm was up to, But Indie wasn’t just any old archaeologist. He was an adventurer. This first adventure saw Jones seeking out The Ark of the Covenant in the hope of saving mankind.
With gross taking in excess of $242 million and an armful of awards, Lucasfilm was keen to bring Indie back. In 1984 that’s just what they did, with the release of Indiana Jones and the Temple of Doom. This time the eager adventurer found himself in search of a mystical stone, with things getting even more mysterious after the discovery of a cult. The trilogy completed in 1989 with the aptly named Indiana Jones and the Last Crusade. But in 2008, seeking comfort in the arms of a sure-fire win, Lucasfilm brought Indiana Jones back to the big screen. Indiana Jones and the Kingdom of the Crystal Skull did get some tough feedback, included a Razzie win. But it still drew in gross profits of over $317 million. Now it seems that Disney, having taken over the franchise, are looking to cash in once more.
So, when can we see Indiana Jones again?
Disney was due to release the 5th installment of the Indiana Jones franchise in July 2019, but things have changed. With other big budget blockbusters to create including a live action version of The Lion King, Indie has had to take a back seat. He is now due to hit theaters in October 2020. Very little is known as yet about the story or cast of this next outing. Spielberg is back as director and, of course, Harrison Ford is back in the central role. Aside from that we are still left guessing. Could we even be set for a return from Karen Allen?
‘Amazing’ Final Fantasy Movie Inspired The Marvels Director
Generally, The Marvels is good. It has a 59 on Rotten Tomatoes, which isn’t great, but it’s better than Ant-Man and The Wasp: Quantumania and Disney+’s Secret Invasion. Perhaps director Nia DaCosta’s video game inspirations contributed to that.
The American filmmaker said Square Enix’s Final Fantasy VII: Advent Children influenced her latest film at a press junket with IGN. “It’s just an amazing movie, with great fight scenes and a great ending sequence with the main character being thrown into the sky by all the other characters,” she said.
Despite poor reviews upon release in 2005, Advent Children has become a Final Fantasy cult classic. DaCosta seems to agree that the film is a classic. PlayStation exclusives also influenced the Marvels.
In the interview, she said she didn’t want the superhero film to look “too much like a video game” but did draw from Sony’s biggest franchises, like The Last of Us and Horizon Zero Dawn. “For me, it was from the best games, the best stories that you get, that sort of inspires me to play, and I think inspires people to watch movies like this,” she said.
Since movies have shaped video games since their inception, it’s interesting to see the dynamic slowly changing. Now that technology and interactive storytelling are more complex, filmmakers are looking to PlayStation for inspiration.
Netflix raises prices again after strong subscriber growth
Netflix reported third-quarter earnings and is doing well. Revenue increased as the company added 9 million subscribers worldwide.
Netflix is also using this opportunity to raise the prices of some of its U.S., U.K., and French plans to differentiate ad-free plans from its entry-level ad-supported plan. New subscribers to the most expensive plan will pay $22.99 per month.
Let’s step back and examine Netflix’s current situation. Netflix cracked down on password sharing in its home market and dozens of others in May. The third quarter is the first full quarter under the new rules, so we can see the effect of password sharing.
The company removed the basic tier in the U.S. and U.K. two months ago to simplify its offering. People must pay a lot to remove Netflix ads.
Reports suggest that many customers are experiencing subscription fatigue and considering canceling some streaming subscriptions, but Netflix still has room for growth, especially with advertising revenue.
The company has 247.15 million subscribers. The number of subscribers increased 8.76 million this quarter. Netflix subscribers haven’t grown that much since Q2 2020, when Covid lockdowns were enforced worldwide.
Netflix earned $3.73 per share on $8.5 billion in revenue this quarter. As ads plan subscribers rise almost 70% quarter-over-quarter, ads are contributing more to the bottom line. Nearly a third of new subscribers use ads.
Netflix shares are up 13.75% pre-market ($393.79 per share) on good news for shareholders. However, subscribers will be unhappy because the company will raise prices for some plans again in three key markets. Full breakdown here.
In the U.S.:
- Standard with ads: $6.99 per month (no change)
- Basic (no longer available): $11.99 per month (up from $9.99)
- Standard: $15.49 per month (no change)
- Premium (with 4K streaming): $22.99 per month (up from $19.99)
In the U.K.:
- Standard with ads: £4.99 per month (no change)
- Basic (no longer available): £7.99 per month (up from £6.99)
- Standard: £10.99 per month (no change)
- Premium (with 4K streaming): £17.99 per month (up from £15.99)
- Standard with ads: €5.99 per month (no change)
- Basic (still available in France for now): €10.99 per month (up from €8.99)
- Standard: €13.49 per month (no change)
- Premium (with 4K streaming): €19.99 per month (up from €17.99)
New subscriptions start at these prices today. Bills for existing subscribers will rise in the coming weeks.
Last of Us HBO Showrunner Quietly Removes Name from Troubled Borderlands Flick
When your writer—one of Hollywood’s hottest—tries to hide their involvement, it’s a bad sign. The Borderlands film’s original script was written by Craig Mazin (The Last of Us, Chernobyl), who recently asked the WGA to use the pseudonym “Joe Crombie” instead of his name.
We hope this means Mazin considers Joe Abercrombie, Lord Grimdark, the grittiness GOAT, but that theory is unproven. Since Mazin wrote the script in 2015 for Eli Roth to direct, a steady stream of writers has been brought in. Aaron Berg, Chris Bremner, Sam Levinson, Zak Olkewicz, Tony Rettenmaier, Juel Taylor, and Oren Uziel have put around 70 fingers in the honey pot.
The name change likely avoids confusion. Mazin probably doesn’t want to be blamed for Jack Black/Claptrap madness, but he wants to keep his rights.
When this surprising star-studded film (Kevin Hart, Jamie Lee Curtis, Cate Blanchet) limps out, what are your expectations? We think this was supposed to coincide with Borderlands 3’s 2019 release, but it’s overshot the mark.
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