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Dauntless Closed Beta Review: Less Daunting Than Anticipated *Updated*

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Last Friday, I finally received my invitation to participate in the Dauntless closed beta. While the beta actually started earlier this month, it was mostly for people who helped fund the game (i.e., paid money for early access). Since few gamers are ever invited into closed betas, I consider myself lucky. Still, I spent my weekend playing Dauntless and finally wrote this review/preview. But, before I continue, I should give the following disclaimer: I am going to compare Dauntless to Monster Hunter  — a lot. After all, Dauntless was originally designed to give western Monster Hunter fans the PC monster hunting experience they richly deserve, well before Capcom announced Monster Hunter World. Still, since I am a Monster Hunter fan, I’m contractually obligated (no not really) to compare Dauntless to Monster Hunter, which is why I’m going to judge Dauntless on its own merits and as a replacement for Monster Hunter. So, on with the review.

The hallmark of a good art style in a video game is that it doesn’t look like any other video game, and Dauntless’ art style is nothing if not unique; the game uses semi-cartoonish, cell-shaded graphics that give every character sharp cheeks and a big chin — think Wildstar but less Saturday morning cartoonish. The monsters…sorry, behemoths…however, look a bit off to me. While I don’t want to call the behemoths generic, after getting up close and personal with them, I think Phoenix Labs’ designers tried too hard to make the behemoths look unique and somehow circled back into genericness, not unlike how unmarked black vans are more noticeable than a regular cars. Sure, most of the behemoth designs are cool, especially the Gnasher and the Pangar, but most gamers have probably seem similar designs before. Except for the Shrike, because it’s just a flying owlbear, which is about as generic as you can get when it comes to monster designs. Although, I do have to credit the designers for some special little touches they added to the behemoths, such making them look more ragged and beaten the more players damage them. Oh, and I have to give kudos to the character creator, because it provides players with a novel, if superfluous, option to make their characters look like the descendant of two pre-made characters. And it comes with a heterochromia option. That’s cool.

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If I were to describe Dauntless‘s gameplay, I would say it’s a streamlined (or stripped down) version of Monster Hunter. Players can chose a mission from the mission board, either select to hunt in a team or solo, and start hunting their quarry on a floating island. These islands are rather small, which makes the behemoths easier to hunt, but the islands don’t offer any unique locales; players can only hunt behemoths in either a generic floating forest or a generic floating tundra. Furthermore, Dauntless‘ missions are currently limited to “kill X behemoth,” whereas Monster Hunter offers a wider variety of missions, including searching for crafting items and capturing monsters instead of killing them. However, some of Dauntless’ missions task players with hunting rogue behemoths: smaller, weaker, and slower versions of behemoths that let players practice on what is essentially easy-mode before hunting the full-strength version. I actually want this kind of mission in Monster Hunter World. Still, Dauntless is only in beta, so players might see new mission types in the near future.

Combat in Dauntless revolves around effective use of weapons, tools, and stamina. Right now, the game only has four weapons with more on the way: the Sword (a two-handed weapon that acts as the game’s de facto balanced weapon), the Axe (a slow weapon that is most effective when players charge up attacks), the Chain Blades (two kamas players swing around like Kratos’ iconic Blades of Chaos/Athena/Exile), and the Hammer (a rocket-powered war hammer that can be used as a makeshift shotgun). Each of these weapons has primary attacks, secondary attacks, and special attacks that players can string together, albeit in extremely limited combinations. Monster Hunter veterans will quickly see that several Dauntless weapon mechanics are almost identical to some Monster Hunter weapon mechanics (e.g., the Axe’s special attack temporarily increases attack damage like the Long Sword, and the Hammer needs to be reloaded every so often like the Gunlance). However, Dauntless‘ weapons are different enough from Monster Hunter‘s weapons and are not wholesale clones. Moreover, players can pack as many tools as their inventory allows in Monster Hunter, but Dauntless intentionally limits players to five: a stack of healing potions, several offence potions (usually a stamina regeneration potion or an attack-increase potion), a totem that revives players and teammates, an unlimited use flare, and an airdrop (usually some free healing items or the ability to locate gatherable resources). Also, Dauntless lets players equip a lantern that can buff/heal allies or locate behemoths. However, once players start a mission, they are limited to their selected items and equipment until the mission is over, especially since crafting items is only possible in the main hub. Weapons and items are neither better nor worse in Dauntless, just different. But stamina is objectively worse in Dauntless. In Monster Hunter, running out of stamina is a death sentence, as it forces the player to stop for several seconds and catch his or her breath, which nobody should ever do when fighting an angry dragon. However, running out of stamina in Dauntless is nowhere near as much of a punishment as it should be. Aside from panting heavily and moving slightly more sluggishly, I noticed no significant difference between a character with full stamina and a character with zero stamina. Maybe I missed something, but this is not how stamina should work in a video game: characters who are out of stamina should not be able to move. Then again, maybe Phoenix Labs is planning to add in proper punishments for running out of stamina in future patches, or perhaps I encountered a glitch and didn’t realize it. This is just the beta build of the game, after all; everything I nitpick is subject to change.

Since Dauntless is in a beta, it includes several bugs and glitches, including body parts that clip through armor, river water that doesn’t splash, and Dauntless‘ take on Overwatch‘s “Play of the Game” screen not properly displaying. Even though Dauntless can be played with either a controller or a mouse and keyboard, sometimes the game bugs out and forgets to show the proper controller prompt, and certain in-game menus even refuse to acknowledge any controller input. However, not all problems are bugs or glitches. Voice acting in Dauntless is rough at best, and some text is nearly impossible to read. Moreover, the main hub requires a serious redesign (it’s just too big and empty), and the devs really should find a way to let players use emotes and plant banners with the controller. However, the biggest problem I witnessed in the closed beta was an optimization issue. I ran Dauntless on an MSI GT72 2QD Dominator laptop with an i7-4720HQ CPU, an NVIDIA GTX 970M GPU, and 12GB of RAM. It’s not the most advanced gaming laptop available, but it can play DOOM on high settings at over 30 FPS. However, Dauntless had trouble maintaining a steady framerate at even medium settings. And yes, I checked the system requirements; they aren’t that much different from DOOM‘s requirements. Here’s hoping the devs at Phoenix Labs can fix these problems, especially the optimization one.

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So, how does Dauntless generally stack up against Monster Hunter? Currently, Dauntless lacks a lot of the smaller details that help make Monster Hunter popular. For example, players can’t set up traps, lay down poisoned meat, or throw exploding barrels. Mechanics such as weapon sharpness and character temperature are dropped completely, and elemental weaknesses don’t seem to play any part in the game. Some players might be happy they don’t have to worry about these problems, so they can just focus on the hunt, but others will argue these tiny mechanics make the hunt more exciting. These gamers believe Monster Hunter is great because it actively encourages preparing for each hunt, since it’s easy for a fight to go sideways, and all that stands between victory and defeat can be one solitary item. Without those mechanics, Monster Hunter just becomes a slower, more methodical hack-and-slash game. And that’s what Dauntless feels like: a slower, more methodical hack-and-slash game. That doesn’t make it a bad game, just not as in-depth as Monster Hunter. Then again, maybe that’s what Dauntless should be: a game more friendly to newcomers than Monster Hunter.

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All in all, Dauntless is a decent experience and a good first attempt at a Monster Hunter-esque game. It’s fun despite its flaws and bugs, and while most gamers will enjoy DauntlessMonster Hunter veterans will find the game lacking and bare-bones. Dauntless gets rid of all the busywork of sharpening weapons, searching numerous zones for monsters, and carefully laying down pitfall traps and barrel bombs. This streamlining will attract players who think Monster Hunter is a little too complicated, but many, including me, enjoy the busywork and feel it elevates the game and makes it unique. While I can easily recommend Dauntless to most gamers (when it releases, that is), Monster Hunter fans might be better off just playing Monster Hunter World. Of course, I look forward to Phoenix Labs proving me wrong and improving Dauntless.

*Update*

Big thanks to username Necrochild for pointing out the game has elements and elemental weaknesses.  I completely missed this in my playthrough due to a lack of in-game explanation.

All you have to do to get my attention is talk about video games, technology, anime, and/or Dungeons & Dragons - also people in spandex fighting rubber suited monsters.

Gaming

Ubisoft says that future Assassin’s Creed games will need more time to be made

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As Assassin’s Creed Shadows is about to sneak up on people in November, Ubisoft says that the time between developing games needs to be longer to find the “right balance.” Shadows has been in development for four years, longer than any other game in the series up to this point. That includes the huge open-world epics Assassin’s Creed Odyssey and Assassin’s Creed Valhalla.

Shadows lead producer Karl Onnée (thanks, GamesIndustry.biz) says that the latest AC game took 25% longer to make than Valhalla. He says this is necessary to keep the quality of the series that it is known for: “It’s always a balance between time and costs, but the more time you have, the more you can iterate.” You can speed up a project by adding more people to it, but that doesn’t give you more time to make changes.

Onnée says this has as much to do with immersion and aesthetics as it does with fixing bugs and smoothing out pixels. This is because the development team needs time to learn about each new historical setting: “We are trying to make a game that is as real as possible.” We’re proud of it, and the process took a long time. In feudal Japan, building a house is very different from building a house in France or England in the Middle Ages. As an artist, you need to learn where to put things in a feudal Japanese home. For example, food might not belong there. Get all the information you need and learn it. That process takes a long time.”

You’ll have to wait a little longer for Ubisoft to work on each game. Are you okay with that? In what part of Shadows are you now? Is it interesting to you? Leave a comment below and let us know.

 

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You can now pre-order Lollipop Chainsaw RePOP on PS5

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You can now pre-order Lollipop Chainsaw RePOP, a remaster that Dragami Games and Capcom both created. You can now pre-order the PS5 game on the PS Store for $44.99 or £39.99. If you have PS Plus, you can get an extra 10% off the price.

The company put out a new trailer with about three minutes of gameplay to mark the start of the pre-order period. Lollipop Chainsaw RePOP is a remaster of Grasshopper Manufacture’s crazy action game from 2012. You play as Juliet, a high school student who fights off waves of zombies.

The remaster adds RePOP mode, an alternative mode that swaps out the blood and gore for fun visual effects. It also adds a bunch of other features and improvements that make the game better overall. You can expect the graphics and sound to be better as well.

The game will now come out on September 12, 2024, instead of September 12, 2024. Are you excited to get back to this? Please cheer us on in the section below.

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This Call of Duty: Black Ops 6 zombies trailer is way too expensive

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Is there really anyone who is following the story of Call of Duty’s zombie mode? We’ve known about the story in a vague way for a while, but we couldn’t tell you anything about it. It looks like the “Dark Aether” story will continue in Black Ops 6, but we don’t really know what that means.

For those of you who care, here is the official blurb with some background: “Requiem, led by the CIA, finally closed the last-dimensional portal, sending its inhabitants back to the nightmare world known as the Dark Aether, after two years of fighting zombie outbreaks around the world during the Call of Duty: Black Ops Cold War timeline.”

Wait, there’s more! “Agent Samantha Maxis gave her life to seal this weird dimension from the inside out.” Even worse things were to come: senior staff members of Requiem were arrested without a reason by the Project Director, who turned out to be Edward Richtofen.

Black Ops 6 will take place about five years later, and it looks like it will show more about Richtofen’s goals and motivations. The most important thing is that you will probably be shooting an unimaginable number of zombies in the head. This week, on August 8, there will be a full reveal of the gameplay, so keep an eye out for that.

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